After the analyses of this cycle, we came across a series of interior laws regarding the harmonically-tonally structure and that of the form. The form of the edition and that of the musical text is in its most part loyal to the original, and the translation in Romanian language of the poetic verses is made under the sign of a great skilfulness and literary sensibility, and an artistically one. The analyze of the cycle of Lieds: Die schöne Müllerin I made after the score published by Editura Muzicală, Bucharest, an edition taken care of by Ion Piso, the translation of the verses by Ana Voileanu-Nicoară. From the compositions of this year are missing the chorus parts (on equal and mixed voices), the orchestral pieces and the cameral ones. The year 1823-a critical moment from the existence of Schubert-records especially vocal genres (operas, singspiels, Lieds), church works, and piano pieces. 25, being, in the same time, one of the central works of his periods of mature creation. One of the most apotheosis works of his creation is the cycle of Lieds Die schöne Müllerin-op. On the basis of this cycle of Lieds I tried to discover the effect of the internal energy forces, on a homogeneous structure, in the sensible world of Schubert's musical creation. The entire cycle of Lieds represents a unified whole, in which the Lieder which make up the cycle are combined in the form of chain although their shape, their tonal ethos, and their significance are different or even contrary. The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert.
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